Archive for the ‘DJ Equipment & Lighting’ Category

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Beatles: Rock Band guitars announced. Replica Rickenbacker 325 and Gretsch Duo Jet guitars will be made available as standalone music peripheral controllers!

May 12, 2009

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Rickenbacker 325 and Gretsch Duo Jet to be made available as standalone controllers

Harmonix, MTV Games and Electronic Arts have announced that replica Rickenbacker 325 and Gretsch Duo Jet guitars will be made available as standalone music peripheral controllers for The Beatles: Rock Band.

The Beatles: Rock Band will allow fans to pick up a guitar, bass, mic or drums and experience The Beatles’ extraordinary catalogue of music through gameplay that takes players on a journey through the legacy and evolution of the band’s legendary career. It will be available simultaneously worldwide in North America, Europe, Australia, New Zealand and other territories on September 9th 2009.

The Rickenbacker 325 and Gretsch Duo Jet guitars are hailed as two of the signature, most celebrated instruments played by John Lennon and George Harrison throughout their careers, respectively.They will be made available at a retail price of £89.99 in the UK.

These wireless instrument controllers join the previously announced Höfner bass controller, a large-scale replica of the bass famously used by Sir Paul McCartney, and the Ringo Starr inspired and Ludwig-branded Rock Band 2 drums, with a classic pearl finish and vintage replica Beatles kick drum head. All controllers will be available for the Xbox 360 video game and entertainment system from Microsoft, Playstation 3, Wii and will be compatible with all Rock Band titles.

62f558b26754183b_beatles-rock-band

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Glade 2009 Festival Details!

May 8, 2009

Glade 2009!

HEADLINERS:
UNDERWORLD (UK FESTIVAL EXCLUSIVE)
BOOKA SHADE
SQUAREPUSHER
JUAN ATKINS (UK FESTIVAL EXCLUSIVE)
MUTANT CLAN AKA TIMO MAAS & SANTOS DAVE CLARKE
FREELAND (ADAM FREELAND LIVE)

PLUMP DJS / KRAFTY KUTS / VENETIAN SNARES / RUSKO LIVE / JAPANESE POPSTARS / THE QEMISTS / FEMI KUTI & THE POSITIVE FORCE / NITIN SAWHNEY FINLEY QUAYE / DIGITAL MYSTIKZ / KID 606 / ATOMIC DROP / ANTIX / RENNIE PILGREM & MC CHICKABOO / THE BAYS FEAT. BEARDYMAN / TRISTAN / PERFECT STRANGER / PAUL TAYLOR / KASEY TAYLOR / LUCAS / LURK / EARTHLING / CHROMATONE SENSIENT / DICK TREVOR / DIMITRI / / ISHQ / WATERJUICE / KUBA LIVE / DJ ZINC / DEEKLINE & WIZARD / JAY CUNNING / VENT / STEREO: TYPE / THE EGG / LOS ALBERTOS / ORCHESTRA DEL SOL / TRAGIC ROUNDABOUT / GADJO / THE CORRESPONDENCE / JIM MASTERS / DURAN DURAN DURAN / FAR TOO LOUD HEXIDECIMAL / TODDLA T / TAYO / NAPT
+ more to be confirmed!

After months of nail biting anticipation, Glade Festival 2009 are proud to announce a cracking line-up with lots more news to follow. The electronic festival – which takes place at a new site near Winchester from Thursday 16th – Sunday 19th July 2009 – will feature an exclusive UK festival performance from dance dons Underworld, world music by the likes of Femi Kuti, a live set from dubstep’s brightest star Rusko, a debut set from techno God Juan Atkins and The Qemists to name a few….

Thanks to its new home near Winchester (the secret location will be revealed to ticket holders nearer the time), Louder, Later and Longer is what you’ll get at this year’s Glade Festival, which moved from its previous home at Wasing Estate due to crippling noise restrictions.

In addition to the belting line-up, Glade Festival will also be unveiling two new areas at this year’s event. First up is the Carmaggedon area – a post apocalypse space which will house multiple venues hosted by Breaksday, Overkill, NSB.co.uk (formerly Nu Skool Breaks) and Cool & Deadly (hosted by Fabric dubsteppers Dublime and Kiss’ Jay Cunning). The area will also feature mind bending art from Nevada’s Burning Man Festival, the scrap yard regeneration creations of the Mutoid Waste Company and the twisted cabaret of the Interstella Circus.

Avalon is another new creation this year and is conceived as a festival within a festival – dedicated to a Psytrance way of life and attitude to living, as much as partying. Psytrance was born from the international alternative and psychedelic scene in the late 60s – which is now alive and well in places as far apart as Brazil, Japan, California and India. And in Avalon it has its UK home at Glade Festival 2009. You’ll find an area where music, art and all forms of expression, thrive and connect at what is undoubtedly the UK’s highpoint of the Psytrance movement.

And if that wasn’t enough, our friends from BLOC (from BLOC Weekend) host the Vapor Stage – the late night techno stage. The Glade Stage makes a welcome return in all its glory and will feature an amazing variety of live acts including world music for the first time on Sunday.

Visually Glade Festival 2009 will have a look and feel of Mad Max meets Alice in Wonderland. They’re cranking up the wow factor with surreal 3D installations to create 3D otherworldly spaces.

Watch this space for information on two other new areas – in addition to more exciting features.

Glade Festival 2009 will soon be launching their new flash website, which will have a stage by stage breakdown of all the areas, including information on all the acts and promoters we’re working with.

In a move to help the recession blues tickets are on sale now for a very reasonable £125 (the same price as last year). Glade Festival is also running a Student Initiative for a limited period only where students can buy tickets for a mere £99 from now until 31st March 2009. All tickets include free on-site camping. Camper & caravan tickets cost an additional £45. Details of the VIP Tepee camping area will be announced soon.

Glade Festival won Best Dance Festival at this year’s UK Festival Awards and is a 10,000 capacity event, visited by dance music and free spirited aficionados from around the world. Glade Festival is known as one of Europe’s best underground electronic festivals and will celebrate its sixth birthday in 2009 after starting life as part of Glastonbury festival (of which it is still a part of).

Glade Festival will have more artist details up on their new website

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Red Bull Music Academy 2010 , Applications open in May ’09

May 6, 2009

rbma2010

London has been announced as the next venue for the Red Bull Music Academy (RBMA), a two-week boot camp for budding musicians, producers and DJs.

The application process will begin on May 11th and will remain open until the 27th July 2009. The Academy is inviting people to apply for one of two fortnight-long ‘terms’ which will take place in succession in February and March 2010.

Every year, the RBMA attracts attendees and guests from right across the globe, and numerous high-profile artists are drafted in to give lectures and impart invaluable advice to the students.

For further information and to apply to enrol, head to http://www.redbullmusicacademy.com.

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Maschine: What is it? An in depth look

May 6, 2009

ni_maschine

Finally merging a fast and intuitive groove-box workflow with the power and versatility of software, MASCHINE enables an inspiring and spontaneous creative approach for today’s computer-based music production setups.

MASCHINE is built on an intelligent combination of timeless groove box and drum machine workflows, systematically refined and expanded to take advantage of the best aspects of computer technology. It brings together flexible step sequencing and real-time polyphonic recording in a forward-thinking pattern-based arrangement concept that makes it easy to jam out ideas, and turn them into full-blown songs in a way that is efficient, effortless and fun. MASCHINE was designed to accommodate and facilitate inspiration at any point in the creative process, from spontaneous beat creation to sophisticated multi-timbral arranging.

The advanced MASCHINE controller was designed as a natural extension of the software, and makes the system feel and respond as a true instrument. The 16 pressure-sensitive drum pads have been carefully engineered for the best possible response and durability, and they illuminate to visualize sequence patterns and other crucial information.

Eight rotary encoders, a concise layout of dedicated buttons and dual high-resolution displays give immediate access to all functions of MASCHINE without touching the computer mouse or keyboard. By design, all features are quickly accessible “on the surface” rather than hidden away in hierarchical sub menus. The MASCHINE hardware also doubles as a powerful universal controller for any MIDI compatible music gear, thanks to an included MIDI mapping application and support of the MCU protocol for sophisticated DAW control.

Native Instruments Maschine

Based on a powerful high-resolution sample engine, MASCHINE is a versatile instrument that renders intricate drum kits and percussion, loops and multi-sampled polyphonic instruments with uncompromising sonic accuracy, assisted by automatic sample mapping, beat slicing, note repeat and more.

The advanced real-time audio recording and resampling features in MASCHINE also allow producers and performers to capture, map, sculpt and transform any external or internal signal immediately, and seamlessly integrate the result into a running track without ever breaking the flow of the music. Multiple performance effects sections on the sample, group and master level provide a versatile arsenal of 20 highquality algorithms ranging from conventional to experimental, all optimized for profound sound shaping and creative real-time control through the MASCHINE hardware.

MASCHINE lets everyone get into making music right away through its massive library of drum and instrument sounds for contemporary urban and electronic music styles, created in collaboration with international cutting-edge producers and sound designers.

Based on several GByte of studio-quality samples, the arsenal of MASCHINE provides hundreds of drum kits, synthesizer sounds and acoustic instruments, with around ten thousand individual sounds overall. All kits, instruments, samples and effects can be efficiently managed and located through a highly convenient browser that uses categories and concise metadata.

With MASCHINE, all crucial functions including parameter automation, sample mapping and sound editing are always immediately accessible through the controller and within the concise single-window user interface of the software. Usable both as a self-contained standalone instrument and within any DAW or music sequencer, MASCHINE utilizes all the benefits of computer integration like total recall, superior processing power, memory and file handling, project transfer and more, while retaining the inspirational handling and tactile appeal of a hardware instrument.

NI Maschine

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An in depth look an Ableton 8

May 5, 2009

New groove engine

Groove patterns dynamically influence the timing and velocity/volume of audio and MIDI material. This can add life and swing to straight patterns, give a track more drive, or lend a piece an easy, laid-back feeling.

groove_browser

Live 8 enhances Live’s existing groove power with some important new features:

  • Apply groove patterns to any audio or MIDI clips in real time. Change the feel of the whole piece or just selected clips.
  • Choose from an extensive library of groove patterns, captured from songs played by some of music’s most original, expressive and soulful drummers.
  • Extract groove patterns from any audio or MIDI source to build your own groove library from your favorite tracks.
  • Quantize audio and MIDI in real time: non-destructive velocity and timing adjustments for rhythmic correction.
  • Randomize audio and MIDI timing for a more human feel

New warping engine

Live 8 is the next logical step in warping evolution with a new, more intuitive warping paradigm and some important Warp Mode enhancements.

warping
  • New, intuitive warping allows you to adjust events on the timeline instead of stretching and squeezing the timeline around the events.
  • Transient handles: Live analyzes and assigns handles to the transients in audio files automatically.
  • Slice by transient: slice audio to MIDI based on Live 8′s new transient analysis.
  • Enhanced Beats Warp Mode for improved warping of percussive material and new control options.
  • Improved Complex Warp Mode using élastique Pro for warping complex, polyphonic material with fewer artifacts.

Looper

Looper brings the creative power of classic sound-on-sound looping to Live, without the limitations of a hardware device. Inspired by some of our favorite sample/delay devices plus a good deal of Ableton wizardry, Looper provides plenty of scope in a super-simple interface.

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  • One-touch operation: Looper is set up for remote operation, so you can record, overdub, undo and more using a single footswitch (not included) and without touching the computer.
  • Endless overdubs, tape-loop style for infinite improv jams.
  • First loop sync: Live reads the tempo from the length of the first loop you record and automatically syncs up. This eliminates timing issues and lets you record without the click.
  • Simple loop management: drag and drop a loop from Looper into a clip slot to make a clip; drag a clip back again to reload it into Looper.
  • Multiple Looper sync lets you run as many Loopers as you want without any synchronization headaches.

New effects

Live 8 includes five powerful new effects, each with a strong personality and serious “classic” potential. These effects add a special Ableton shine to the well-known aspects of these devices, giving you effects that are not only practical and easy to use but also inspiring.

Vocoder: the famous “singing robot” effect. Vocoder is classic vocoding plus advanced, intricate control for flexibility and rich sound design.

vocoder

Multiband Dynamics: effective processing plus a refreshing approach to visualizing the dynamics involved lets you really see and hear what’s going on.

multiband_dynamics

Overdrive: models the circuits found in legendary stompboxes and forms a perfect complement to Saturator and Dynamic Tube.

overdrive

Limiter: an effective brick-wall limiter that will keep your peaks in check.

limiter

Frequency Shifter: frequency shifting and ring modulation for flange effects, atonal harmonics and the sound of Fifties science fiction.

freq_shifter

Workflow enhancements

Version 8 makes Live easier with a number of most-wanted enhancements and some deceptively simple detail work.

Crossfades in Arrangement View: This much requested feature gives you real-time, non-destructive crossfades, neatly integrated into Live’s familiar workflow.

crossfades

The enhanced MIDI editor now features step recording, an insert marker and editing improvements.

midi_editor

Group tracks let you group selected tracks (e.g. a group for drum tracks or a group for all backing vocals). Each group works like a separate mix buss with its own effects and routing settings. You can also collapse grouped tracks to preserve screen real estate.

group_track

Multi-parameter manipulation: want to lower the volume of six different tracks? No need any more to adjust six different faders; just select all six tracks and adjust one volume control.

multi_parameters

Magnify the user interface for optimal visibility on dark stages or hi-res screens. Zoom out for the big picture.

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Browser waveform display: Audio and MIDI browser preview now with waveform display and scrubbing for more informed browsing and file selection.

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Plug-in parameters: Improved configuration and control for plug-ins with numerous parameters.

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And many more workflow improvements: Yes, that feature request you sent may well be in there somewhere…

New in Ableton Suite 8

Ableton Suite 8 is a package which gives you a rich world of sound, perfectly complementing the tools and features in Live 8. Suite 8 provides all the instruments a musician could hope for, including a wide range of synths, a powerful sampler, electric and acoustic drums, mallets, numerous sampled instruments: 10 instruments in all. Here’s what’s new in Suite 8.

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iPhone Roundup: Field Recording, DJ Tools, Odd iInstruments, Cinco de Mayo

April 29, 2009

fire

Now we’re talking: FiRe turns your iPhone into a serious recorder. No, really, a serious recorder – with advanced features and actual mic support.

Your pocket is bulging with power.

Anyway, the mobile software revolution continues. There’s so much stuff out there that it can actually be hard to track. Here’s a round-up to help you navigate everything that’s going on this week.

And even if you can’t stand another word about the iPhone, consider this: the explosion of iPhone software, more than just a fad, illustrates what happens when you give developers tools to make multimedia capabilities easier, then provide a distribution outlet. I don’t love everything about the iTunes approach, but those are lessons that could easily be learned in desktop and mobile development alike. The iPhone platform, if nothing else, is surprisingly uncompromising in the sound and visual interaction departments, especially for a mobile platform. And even desktop platforms could benefit from this kind of distribution mechanism (see also: Steam for games).

Also, we do have some of the first signs that the iPhone won’t be alone for long – new functionality on Google’s Android could take that platform in new directions. See my next story, Android/Linux/open source fans.

Disclaimer: don’t worry. I’m not giving up on desktop apps. Relax. In fact, even now as I look across these applications, while there are lots of cool ideas, it’s still clear this is a nascent area. The experience is nowhere near as rich as you get on the desktop. But it’s nonetheless worth exploring some of the ideas before we return to our (more powerful) desktop applications for music.

Field Recording, Microphones for iPhone + iPod touch

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The big news this week was FiRe, which promises to be the “first professional field recorder” for the iPhone and iPod touch. The developer behind it is one of which we’re already big fans: Audiofile Engineering. AE make Wave Editor, which has rapidly become the secret weapon of choice for Mac audio producers and sound designers, as well as the batch-processing Sample Manager and adoptive parents of the excellent Rax plug-in host. Anything these guys do would get our attention, and then they go and add specs you wouldn’t expect to see on the iPhone:

  • Accurate real-time waveform display
  • Live, touch-controlled waveform navigation
  • Audio markers
  • Broadcast WAVE metadata
  • Instant downloading in multiple formats – and easy sharing via FTP, Web server, or even a SoundCloud account
  • Tag recordings with location data
  • Overdub mode
  • VU meters for input and output
  • Configurable time units
  • Mic flexibility: use Blue Mikey, Alesis ProTrack or even the internal mic

http://www.audiofile-engineering.com/

iTunes link (which is tricky to find otherwise)

Let’s just cut straight to it: this is, bar none, the most full-featured app out there. It’s the first one that would make me seriously consider using this platform for recording.

This, of course, raises the question of which mic you might want to use.

If you’re on the iPod touch, you don’t have even a built-in mono mic. (Don’t knock it: I’ve put together entire pieces based on simple mono mic samples. Creative sampling artists will use anything.)

Even on the first-generation iPod touch, you can use some simple solutions that will let you do basic sound.

The SmartTalk mic poses for the Smule blog.

The Smule blog has a terrific round-up of recommendations for touch owners wanting to use their Ocarina app. Their technical needs are much lighter than what you might need for FiRe, but this is still worth a look if you have any interest in recording at all:

Microphones for iPod Touch Ocarina

The Griffin SmartTalk wins out for 2G owners. I have Griffin’s TuneBuds mobile, which has worked well enough for applications like RjDj. (Note that Smule have managed to get their app working with the first-gen hardware; FiRe requires the newer generation.)

At the fancier end:

mikey

Blue Microphones’ Mikey is a slim-line stereo condenser capsule that plus into the iPod accessory port. It’s hinged so you can play with placement at least a little, and there’s basic gain control (3 settings). It runs about US$80 street, which means it doesn’t have to compete with standalone recorders. Update: Audiofile Engineering say they’ve seen some issues with FiRe and Blue Mikey, and can’t officially support the combination. Readers have had some issues themselves. If you’ve already got a Mikey, this might be worth a try, but otherwise, you can await updated information as Blue and Audiofile Engineering attempt to address the problem.

Specific update: The problem sounds as though it is the combination of the production Mikey with second-generation iPod touch units running the current OS. This is expected to be fixed with the next OS release. Stay tuned for more.

protrack

Tha Alesis ProTrack is even more impressive-looking, but at US$249 list, it does start to get into the realm of “you could just go buy a dedicated recorder.” The ProTrack extends the iPhone by adding a shell with an X/Y stereo mic pair – one that looks quite a lot like the Zoom H4 mics – and even has onboard XLR jacks and phantom power. You also get LED monitoring, a limiter, additional power (four AAA’s), a mic stand mount – basically, it turns your iPhone into a real mobile recorder.

The Alesis has its own app, but the Audiofile Engineering option is looking more powerful. Naturally, that’s the advantage of software – because the iPhone is essentially a computer, you can add whatever software you like.

h4n

I still think there’s a good place for a dedicated recorder. I’ve started testing the Zoom H4n,seenat right. (Not an iPhone hiding in a shell.) I’m already blown away – it corrects most of the navigation and quality issues with its predecessor, and unlike an iPod or iPhone, has fantastic battery life and onboard XLR input jacks. (Okay, the ProTrack does have XLR’s, so this is getting a little more interesting.) In other words, I’m not sure I’m giving up on dedicated recorders in favor of one of these yet. It’s still handy to have, though – and who says you can’t use both, given how essential it can be to have a backup recording in many situations?

Paul Van Dyk’s DJ Tools

This one was a bit of a surprise: Paul Van Dyk has released a DJ app, but it’s not just a quick, attention-grabbing, “DJ on your iPhone” gimmick. It’s more like a utility belt for DJs. I’m surprised to see that as a result it’s actually gotten some criticism. To me, finding some genuinely useful stuff you might want to have on your mobile device is the whole point.

What’s in there?

  • BPM counter
  • Frequency analyzer
  • Noise level (the “NYPD Application”), with an oddly beautiful visualization
  • Seismic reader (for testing your turntable, not for telling if there’s an earthquake happening – that you’ll probably figure for yourself)

And then some silly stuff, too – glow stick, anyone?

http://www.paulvandyk.com/

Not yet available – coming late May 2009

Nine Inch Nails App

ninaccess

NIN, of course, had their app become available on 4/14. There’s been quite a lot written about it – so much, in fact, that I feel like the whole thing is a bit overhyped. The basic development here is that NIN is taking all their fan data and making it location specific. On the upside, this is a lot more than many high-profile bands have done with iPhone development. But then, these guys should be doing more – they have the budget to hire real developers. I do like the idea of fans being able to interact on their mobile device; that clearly makes a lot of sense. But few artists will inspire the kind of loyalty NIN does, which means the real question is, will someone be able to build a platform for everyone else? And if you are a more obscure artist, what should you be doing?

The app is free, so just a conduit for fans, really.

iTunes link

http://www.nin.com/

Gestural Beat Sharing, Celebrate Cinco De Mayo

ZoozBeat is the application I looked at in the fall: the idea is to make musical improvisation more accessible by allowing people to use fun gestures, taps, and the like to assemble beats. The software is not only for iPhone, but the powerful Nokia N95, too.

That story is worth checking out from the perspective of gestural music in general, not just iPhone or mobile apps:

Gestures, Mobile Music, and the “Low Floor” for Novices: ZooZBeat on iPhone, Nokia

The latest news: the guys have gotten funding, for one. More importantly to end users, ZOOZ Mobile is adding a sharing component, much like what we saw with Smule’s Leaf Trombone. New upgraded software adds a Latin component with Samba and Tejano rhythms and is ready-to-go for Cinco de Mayo. Sounds great to me – and the Latin market has been oddly ignored by a lot of musicians and developers. There are also new Pop, Hip-Hop, and Techno beats.

http://www.myzoozbeat.com/

Unusual Instruments

lakepiano

You’ve got plenty of faux-808 apps for the iPhone now. Our friend Henry Lowengard is taking a very different tack, with drone-friendly creations and detuned pianos. He describes this as well as I could, so here’s what he writes to tell us about.

Imagine a piano in a summer home on a small lake, far in the north of the Northeastern United States. Imagine the piano sitting there for 60 or 70 years, untuned and unmaintained.
The naturally prepared timbres of the Lake Piano are now here for you, each missing felt, each individual nuance of the key action and character-filled tones. Briskly recorded one summer in lo-fi, these samples also contain sounds of children, cats, screen doors, and the summer breeze.

The first version of Lake Piano is relatively minimal, Henry says, played as a double row of scrolling piano keys and the ambient sounds stolen from a videotape he recorded. Henry promises more playability and more ambience in an upcoming upgrade, but you’ll get that automatically when it’s done, so you can always go play now.

Palm Recorders

Edirol R-09HR Including Free 4GB SD Card

The R-09HR is a professional, high-definition recorder that travels light and performs like a heavyweight. With crystal-clear 24/96 fidelity, the R-09HR is the new flagship of EDIROL’s award-winning R-series recorders. Features 24-bit/96kHz linear PCM high-resolution, low-noise recording and more! View details…

Line 6 BackTrack + Mic

Great songs begin with great ideas. Capture all your revelations, epiphanies and inspirations the moment they strike. Inspiration Insurance Inspiration is spontaneous, and BackTrack™ + Mic is your guitar’s instant replay button. Easy to use, BackTrack + Mic captures everything you play without ever hitting record. View details…

Zoom H4 4-Track Handy Digital Audio Recorder

The palm-sized Zoom H4 Handy Digital Recorder is ideal for recording live musical performances, interviews, podcasts, meetings, classes and seminars. The Zoom H4 records linear PCM at up to 24-bit/96-kHz sampling rates or compressed MP3 format at up to 320kbps bit rates. View details…

Zoom H2 Handy Recorder

The H2 will record via the integral one point stereo design microphone, and achieves the Mid/Side (MS) Stereo technique by using a 3 microphone capsule configuration and digital signal processing. Affordable and very versatile!  View details…

Yamaha Pocketrak 2G

There are so many compelling reasons to record band rehearsals or music lessons for later review that a portable recorder is an essential item. Recording conferences and meetings has become a matter of course too. Naturally, the smaller and lighter that recorder is, while delivering top-class sound quality, the better. View details…


Source: http://createdigitalmusic.com


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Cakewalk’s Entry Level Music Creation Software for Windows Gets Major Polishing

April 22, 2009

musiccreator5

Cakewalk today did something quite unorthodox for the company: it launched a product on Facebook.

The results are what clearly aim to be a GarageBand killer for Windows users. Music Creator had always, quietly, been a big hit for Cakewalk: it’s cheap, entry-level software for the PC, which has the potential to reach a big audience of computer users. But the software itself was nothing to brag about, with a dated-looking interface.

Music Creator 5 looks stunningly different. The arrangement window has the familiar, GarageBand and ACID-style loop arrangement window. But there are additions you might expect in a bigger DAW: quick in-line access to track parameters, video preview frames at the top, elaborate time displays and editing tools. There’s also a sophisticated-looking mixing mode with graphical EQs and other options.

Cakewalk MusicCreator

There’s also quite a lot of instrumental and effects content for a $35 app. You get preset playback features – a bit like what you get in Kore Player, down to the pre-mapped 4-8 knobs and 4 trigger buttons – with 150 instruments. There’s the rather sophisticated Studio Instruments Drums for some acoustic and electronic drum parts, making it easier to actually program your own patterns rather than rely on loops.

Cakewalk also includes easy Flash-based music player creators, so you can share your finished tracks easily on the Web, and notation publishing features with tablature and guitar chord support.

In other words, you get the power of what might once have been a flagship Cakewalk DAW, for 35 bucks. (Windows-only) Some of the power options may actually be a bit intimidating to beginners – recently, I’ve heard that complaint even applied to the comparatively minimal GarageBand.

publisher

Cakewalk’s clever Publisher tool makes it a snap to export directly to an embeddable player.

As far as value, though, there’s a whole lot in this box, and a nice balance between looping features and the sort of acoustic drums and notation and sharing features that could appeal to bands just starting to add a computer. I actually think the integrated interface in Steinberg’s rival Sequel is a bit more efficient and runs on the Mac, too, but there’s quite a lot of added-in functionality in Music Creator that makes it broader in scope, and some of that added power may be a deal-maker depending on your needs.

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Korg Kaoss PAd 3 and Beardyman! Unbelieveable skills!

April 14, 2009

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Darren Foreman  also known as Beardyman is a beatboxer from London.

Foreman moved to Brighton in 2001 to study at the University of Sussex. After seeing Rahzel play live, he started beatboxing at an improv show in 2002. He was given the nick-name “Beardyman” because at the time, he had a beard. Foreman also often uses the moniker “Professor Bernhard Steinerhoff” when performing for crowds during seemingly serious lectures; often he will begin a serious lecture in a German accent then break into the beatboxing.

Beardyman often uses humour as well as beatboxing in his act. He has impersonated Elvis, dressed as a monkey on stage at Bestival and once posed as an Austrian climate change lecturer before breaking into his set, with over 1 million views on YouTube

Beardyman also features in the Funky Sage ring tones in which he plays a floating head who beatboxes and gives good advice. His video “Kitchen Diaries” which features him combining beatboxing with cooking has been viewed more than 3 million times on YouTube. “Kitchen Diaries” also makes an appearance in ‘South Coast’, a Brighton based documentary about Hip Hop in the UK.

If you have ever wondered what a box of tricks the Kaoss Pad can be this chap reinvents its usage! is equipment list is awesome,1 mic,  2 Korg Kaoss Pads and a Loopstation!. Its all  you nee..

korgkaosspad_banner1

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Cubase 5 Features Workshop with Steinberg Part 1

April 8, 2009
Visual Cubase 5

Cubase 5 – Advanced Music Production System

Dolphin Music recently had the opportunity of hosting the Cubase 5 tour. This evening offered  a one off workshop demonstrating the new advanced features of Cubase. Held in the sumptuous surroundings of the Leaf Cafe, Liverpool, we were one of the first to hear of all the exciting new additions to the worlds already most renowned sequencer.

tilttube

Cubase 5 comes with fully integrated new tools for working with loops, beats and vocals, such as LoopMash and VariAudio, combining with new composition features and the first VST3 convolution reverb to take musical creativity to new heights. With stunning innovations and additional enhancements that boost productivity and performance, Cubase 5 represents the absolute cutting edge in digital audio workstations.

cubase5po0

New Features in Cubase 5

Cubase 5 adds even more creative possibilities and new technologies to the world’s premier music production software developed by Steinberg — providing the finest tools to producers, composers and musicians in any musical genre. VariAudio and PitchCorrect provide integrated intonation editing for monophonic vocal recordings. Groove Agent ONE and Beat Designer change the game for beat creation, while the revolutionary LoopMash seamlessly blends loops, creating unimaginable variations. VST Expression tools for composers combine with the first VST3 convolution reverb and improved automation for more dynamic mixes. And an array of additional enhancements and 64-bit technologies boost performance — all designed to inspire further musical creativity and productivity.

Beat Creation and Loop Mangling

Cubase 5 features outstanding new tools for creating beats, generating exciting new rhythms and working with loops.

Vocal Editing and Pitch Correction

Cubase 5 comes with an amazing new toolset for perhaps the most important element in any song: the vocals.

New Dimensions for Your Mix

Cubase 5 has numerous new features that will help you bring new depth to your mix — in more ways than one.

Express Creative Visions

With Cubase 5, Steinberg has innovated even further to offer even more creative compositional tools.

Next-Generation Performance and Faster Workflow

Cubase 5 also includes an array of additional new ways of working faster, with added performance that takes advantage of new technologies.

Further Improvements and Added Value

Cubase 5 comes with redesigned and enhanced features plus many new handy tools and functions, making Cubase even more intuitive to use than ever before.

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Livid’s Ohm64: Love Child of a Monome and a DJ-VJ Mixer Controller?

March 20, 2009

Look out, Akai APC40. There’s another contender in the emerging Controller With Lots of Buttons And Also Faders and Knobs and Crossfader product category. Livid’s Ohm64 combines the light-up button grid with faders, knobs, trigger buttons, and most importantly, unique customization options and a lovely wooden case. What’s unique about this one:

  • High-end materials: anodized aluminum faceplate, “immersion gold-platted circuit boards” (guess that’s circuit bling), an optional wooden body (aluminum is available, as well, but wood is more fun).
  • Not mass-market: hand-assembled, small-production Austin creation.
  • Fully class-compliant, no drivers (also true of the APC as far as I know, but nice – and ideal for Linux, too, in case you want to run this with a netbook or a Pd-running souped-up *nix laptop)
  • Open-source, customizable MIDI talkback: when you’re ready to customize just how those LEDs light up, there are included open source tools and fully programmable MIDI mapping

Bonus: it comes with a powerful, full-featured VJ app in the box, Cell DNA, though of course you can use it with anything you like.

The real story to me is the customization. Whereas the APC40 is entirely proprietary in design, has evidently limited MIDI mappings, and a mysterious mechanism for programming two-way communication, the Ohm64 is open, open source, and software-agnostic. If the open source thing catches on, that could mean a community of friendly folk thinking of smart ways to reprogram this thing for different apps. Ironically, that means that in the long run, the Ohm64 could wind up with better Ableton Live integration than the hardware Ableton chose to back – though all bets are off until we get these devices in our hands.

I would say the APC is probably more direct competition for the Ohm64 than the Monome, despite the 8×8 light-up buttons. The Monome is much lighter and slimmer, it takes a minimalist approach (no big knobs or faders), and uses OpenSoundControl in place of MIDI. The Ohm64 seems likely to appeal to those who weren’t Monome fans, and visa versa. And some lucky ducks are naturally going to own both.

But the important thing is that the Ohm64 joins the Monome in its crusade for open-source customization of a commercial product. Whatever the Ohm64 is when it ships, it’s that question of what people can do with it that may determine its real value. I have no doubt people will be reverse engineering the APC40, too — starting with figuring out how to fake the hardware “handshake” it uses so other devices can emulate it in Live. But it’ll be interesting to see how these different philosophies pan out, so to speak.

We’ll keep you posted….

Souce:  Create Digital Music


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