Archive for the ‘Auto-Tune’ Category

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How to Make Your Guitar Sound Like a Sax! The Sonuus G2M

April 22, 2009

g2m_usage_map


No modifications are required to your guitar; no special pickups to install; and nothing needs to be “stuck” onto your instrument. It works with all electric guitars.

The G2M™ is a simple-to-use, highly effective, guitar-to-MIDI converter. It is “Universal” because it doesn’t need a special pick-up mounted on your guitar, but instead simply connects to your guitar like any other effects pedal or tuner.

Designed to give accurate triggering, with low-latency, it is a true plug-and-play solution for monophonic MIDI guitar. It can be used to sequence bass lines and guitar solos add an edge to your live performances — it opens up many creative possibilities.

Features

  • Any electric guitar can be used as a solo MIDI guitar.
  • No guitar modifications or special pickups required.
  • Robust note detection — minimises wrong notes.
  • Accurate pitch-bend determination.
  • Low latency.
  • Built-in tuner for standard guitar tuning.
  • Battery-powered with long battery life.
  • Compact, lightweight and portable.

Universal Appeal

No modifications are required to your guitar; no special pickups to install; and nothing needs to be “stuck” onto your instrument. It works with all electric guitars.

The G2M™ universally appeals to all guitarists from novices to seasoned professionals. Keenly priced to fit any budget, with the robust reliable performance expected by the finest stagemen.

Incredibly simple to use:

  1. Plug your guitar into instrument in to power-up the G2M™
  2. Connect your MIDI device (or computer) to the MIDI out
  3. Play notes on your guitar and MIDI will be sent out!

Powered from a single PP3 battery, its long battery life combined with small size makes the G2M™ the ideal accessory to keep with your guitar. Not only does it provide fast and precise tuning, but it also gives you instant MIDI capability for any electric guitar!

Robust Performance

Research has shown us that the most important aspect for pitch-to-MIDI conversion is reliable and reproducible triggering of notes. While low-latency is important, robust triggering is the key to usability — you can easily adapt to some latency, but you cannot adapt to random, spurious notes.

By virtue of the unique, inherently robust technology used in the G2M™ you will be able to reliably generate accurate MIDI quickly and easily. Notes are generated exactly as played, and the nuances of your performance are captured with fast, accurate pitch-bend data.

Built-in Tuner

The built-in tuner uses our PULSAR™ tuning technology where the power LED doubles as a tuning indicator. This innovative tuner gives you a fast and accurate way to tune your guitar.

Instrument Thru

Featuring a high-impedance input circuit, the G2M™ won’t sap your tone when using it “in-line” before your amp, or other effects pedals. You can then easily combine MIDI sounds with your normal guitar sound for some exciting musical possibilities.

Improves Playing Technique

For optimal MIDI conversion, your guitar playing needs to be clean and accurate. Accidental notes, resonating open strings and other sounds can often be converted into undesired MIDI notes. Often you don’t hear these when playing guitar yourself, but can detect them easily when listening live to the generated MIDI.

Striving to improve MIDI note accuracy, encourages clean picking and accurate fingering, with good control over non-sounding strings by damping them.

Not only will your MIDI output be more accurate, your normal guitar playing will sound clearer and more professional. It’s like having a tutor sitting beside you giving you advice. It’s also great fun!

Most of all, it’s Fun!

When you try the G2M™ and generate some new sounds, the first thing that strikes you is how much fun it is. Unleash new creative inspiration and invigorate your soul.

Specification

  • Power supply 9V PP3 battery. Average current consumption < 10mA. (Typically more than 70 hours operating time.)
  • Tuner notes E2, A2, D3, G3, B3, E4 (Standard 6-string guitar tuning)
  • Tuner accuracy <1 cent when pulsing at <1Hz
  • Note detection range E2 to E6
  • MIDI latency 16ms to 30ms depending on note and characteristics of input signal
  • MIDI power 5V (via 200 ohm resistor as per the MIDI specification)
  • Size 83mm x 58mm x 34mm
  • Weight 80g (without battery)
  • Inputs 6.35mm mono jack (switches unit on when jack is inserted)
  • Outputs 6.35mm mono jack connected directly to input jack. Standard 5-pin MIDI socket.
  • Switches Boost switch to select between low- and high-output guitars
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TC-Helicon announce VoiceTone Synth – radical vocal processing in a pedal

April 7, 2009

Incredible new vocal processing pedal from TC-Helicon…

TC Helicon VoiceTone Synth

The new TC Helicon VoiceTone Synth brings together a collection of extreme exotic and contemporary sonic effects, including jagged HardTuneTM effects, classic Vocoder effects, a voice-controlled synthesizer and vocal distortion and megaphone effects. Now vocalists or anyone looking to add a modern edge to their live performances and studio productions can dial-in these effects instantly with the press of a footswitch.

HardTune
The jagged, stair-stepped vocal sound of key-based hard tuning is everywhere in contemporary R&B, Hip Hop and Electronica. This feature has eluded the majority of performing musicians until VoiceTone Synth came along. Now musicians can produce this effect live by simply recalling a preset and hitting the ‘On’ button. Easy key input methods include auto-instrument sensing or pushbuttons with a clear display of the current key. Other features of the HardTune effect include dry voice mixing, octave shift and character modification.

Vocoder
The vocoder in VoiceTone Synth is called ‘Massive-Band’ for a reason. It effectively scales resolution from ultra-clearly-enunciated Robot voices to the sound of the classic, analog low-band-count vocoders we all know and love. The benefit is that, while typical vocoders require a lot of pre-processing like distortion and EQ to hear the effect properly, with the VoiceTone Synth vocoder effect you can input signals such as clean acoustic guitar and vocode perfectly for sounds that until now have been impossible to achieve.

Voice-controlled Synth
The Vocoder also features a voice-controlled synth mode – considered by many as the Holy Grail for vocoding. Prior to VoiceTone Synth, vocoding required your voice (the exciter), and an instrument input (the carrier) to make cool vocoded sounds. Of course VoiceTone Synth supports the dual input method, but for artists who don’t have another instrument or don’t play one, VoiceTone Synth can generate a synth part directly from your vocal and vocode that. The result? Generated vocoder parts with one input: your voice.

VoiceTone Synth – key features
• HardTune effect with user-selectable key or instrument-sensing
• Vocoder carrier can be driven by internal voice-controlled synth or instrument input (such as guitar)
• Transducer effects, such as megaphones, distortion and radio voices
• All effects can run simultaneously
• Includes Tone feature for adaptive live engineer sound processing
• Presets that can be edited and stored
• Instrument Thru allows normal instrument amplification and vocoding

Links:

TC-Helicon VoiceTone Synth Guitar Effects Pedal

Check the TC-Helicon VoiceTone range of FX pedals!

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Auto-Tune: Why Pop Music Sounds Perfect

February 11, 2009

If you haven’t been listening to pop radio in the past few months, you’ve missed the rise of two seemingly opposing trends. In a medium in which mediocre singing has never been a bar to entry, a lot of pop vocals suddenly sound great.

Autotuner brigade

Better than great: note- and pitch-perfect, as if there’s been an unspoken tightening of standards at record labels or an evolutionary leap in the development of vocal cords. At the other extreme are a few hip-hop singers who also hit their notes but with a precision so exaggerated that on first listen, their songs sound comically artificial, like a chorus of ’50s robots singing Motown.

The force behind both trends is an ingenious plug-in called Auto-Tune, a downloadable studio trick that can take a vocal and instantly nudge it onto the proper note or move it to the correct pitch. It’s like Photoshop for the human voice. Auto-Tune doesn’t make it possible for just anyone to sing like a pro, but used as its creator intended, it can transform a wavering performance into something technically flawless. “Right now, if you listen to pop, everything is in perfect pitch, perfect time and perfect tune,” says producer Rick Rubin. “That’s how ubiquitous Auto-Tune is.” (Download TIME’s Auto-Tune Podcast from iTunes)

Auto-Tune’s inventor is a man named Andy Hildebrand, who worked for years interpreting seismic data for the oil industry. Using a mathematical formula called autocorrelation, Hildebrand would send sound waves into the ground and record their reflections, providing an accurate map of potential drill sites. It’s a technique that saves oil companies lots of money and allowed Hildebrand to retire at 40. He was debating the next chapter of his life at a dinner party when a guest challenged him to invent a box that would allow her to sing in tune. After he tinkered with autocorrelation for a few months, Auto-Tune was born in late 1996.

Almost immediately, studio engineers adopted it as a trade secret to fix flubbed notes, saving them the expense and hassle of having to redo sessions. The first time common ears heard Auto-Tune was on the immensely irritating 1998 Cher hit “Believe.” In the first verse, when Cher sings “I can’t break through” as though she’s standing behind an electric fan, that’s Auto-Tune–but it’s not the way Hildebrand meant it to be used.

The program’s retune speed, which adjusts the singer’s voice, can be set from zero to 400. “If you set it to 10, that means that the output pitch will get halfway to the target pitch in 10 milliseconds,” says Hildebrand. “But if you let that parameter go to zero, it finds the nearest note and changes the output pitch instantaneously”–eliminating the natural transition between notes and making the singer sound jumpy and automated. “I never figured anyone in their right mind would want to do that,” he says.

Like other trends spawned by Cher, the creative abuse of Auto-Tune quickly went out of fashion, although it continued to be an indispensable, if inaudible, part of the engineer’s toolbox. But in 2003, T-Pain (Faheem Najm), a little-known rapper and singer, accidentally stumbled onto the Cher effect while Auto-Tuning some of his vocals. “It just worked for my voice,” says T-Pain in his natural Tallahassee drawl. “And there wasn’t anyone else doing it.”

VIEW AUTO-TUNE PRODUCTS AT DOLPHIN MUSIC