Archive for the ‘iPod Recording’ Category

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Rode Podcaser USB Microphone & Podcasting.. What is it?

June 19, 2009

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Broadcast Quality USB Microphone
Seamless integration was the idea, and it was obtained by creating a studio dynamic microphone with unparalleled A/D converters, so that the microphone can be plugged into any computer with no in/out boxes, no expensive computer pre-amps, just a USB cable.

The Podcaster offers an end-address configuration, the clarity of RØDE’s tailored-for-voice frequency response, an ‘ON’ L.E.D, a direct headphone amp, and of course very low self noise.

The Podcaster opens up possibilities for anyone who records audio – from podcasters, journalists and students to business people adding audio files to websites and multimedia presentations.

* Broadcast Sound Quality
* 28mm dynamic capsule
* 18-bit resolution, 8-48kHz sampling
* Windows and Mac compatible
* Powered by USB bus
* Internal capsule shock mounting
* 3.5mm stereo headphone output with volume control built-in to body
* Ideal for voice recognition software

podcast_ctap_small

Podcasting is creating your own content (mp3 or video for example ) with intent for users to download using one of several programs that have been created to retrieve your audio file automatically, like iTunes or Google reader etc.

Podcasting is simply distributing audio content using RSS. The process is suprisingly simple, and by making audio content available using RSS, podcasters give listeners more control over what they listen to and when. Also, many podcasts are available for syndication, which increases a broadcasters exposure.

For more infomation on RSS check our article here

Here is a breakdown of what you will need and need to know to be able to Podcast:

Skills you may need….

1. How to record your audio and save it to an .mp3 file. (Video is of course also allowed)

2. How to upload the .mp3 file to a website or hosting service

3. How to upload the RSS “feed”  burner service.

After creating your material using an audio editing program of your choice you’ll need somwhere to store it online. if you have a sever upload it here, if your lost at the word ’server’ …get a blog like ‘WordPress’ or ‘Blogger’.

The majority of things you will have to master in order to Podcast are online and if your new to Blogging, Podcasting is an ideal  reason to start. Your ‘Blog’ will allow to to upload you MP3’s and store them within your Blog enabling users to visit your site and download or even better ‘Subscribe’!

There are many different ways to create/ store your Podcasts, you just need to find the server and Feedburner that works for you, the videos here all do things a little different so dont worry if you do things different also!

An RSS feed is the final step in transforming your collection of audio/video files into a bona fide podcast! With FeedBurner’s SmartCast service, you can use any blogging tool that creates a feed to publish your podcast. Here’s how it works: If your blog post contains a link (<a href=””></a>) to an audio/video file, we’ll convert it to an RSS enclosure — a special link found only in your feed — that programs like iPodder, iTunes and NetNewsWire recognize. Google Reader and several other online readers also recognize enclosures and offer a playback link or audio control when they encounter them.

Equipment you may need…

1. Audio Editing Software

2. A Microphone

3. A Sound Card

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Danny Elfman (The Simpsons theme) Discusses Scoring Terminator Salvation with Omnisphere!

June 17, 2009

Spectrasonics Omnisphere is the first virtual instrument to be based on the Spectrasonics STEAM Engine, the company’s newly developed core technology.

The Omnisphere development team will be revealing the new instrument to the public through a series of video episodes from the Spectrasonics website showing features and behind the scenes details on how the instrument and its unique sounds have been created.

“This is truly an Epic project,” said Eric Persing, Founder and Creative Director of Spectrasonics. “We have been working for many, many years; sampling unique sounds, experimenting, specifying the synthesis features and building the STEAM Engine to run it all. It’s been a very exciting process involving our team of software engineers, sound designers, musicians, and graphic artists from all over the world. We’ve been very deliberate in making it easy to use, and yet extremely powerful. Omnisphere is our new flagship synthesizer, and points the way to all our future virtual instruments. We are thrilled to offer a new product that will new have a host of expansion capabilities in the future.”

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With the fourth installment of the sci-fi series Terminator, composer Danny Elfman weighs in with a gripping film score that features Spectrasonics’ Omnisphere virtual instrument on many of the music cues – Elfman often used two Omnispheres for up to sixteen possible sounds at once.

Danny Elfman told us, “I would have to say that discovering Omnisphere this last year has been one of my greatest pleasures. I’m always looking for new sounds and new plug-ins to run with my sequencer, which is Digital Performer. Using Omnisphere along with DP is fantastic for several reasons. First, there’s a great core library to choose from and Eric Persing has, along with all the Spectrasonics sound designers, done a really vast and thorough job. It’s great, finally, to have sounds organized so well with the many ‘tags’ that they provide. Secondly, it’s really easy to program your own custom sounds. My first day, I already had several dozen edits that I really liked and put them in a separate ‘Favorites’ folder. The Omnisphere browser system made it super easy to find them as I needed them.”

“When I began Terminator Salvation I knew I was going to do a lot of synth work and so I began with a bank of their sounds and a slew of my own variations that I thought I could use, and use them I did. On almost every cue,” continued Elfman.

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“More specifically, I found myself diving into the ‘Psychoacoustic‘ sounds a lot, frequently in the ‘Experimental’ and ‘Film’ genres. I also found myself often going to the ‘Distortion’ category, also in the ‘Experimental’ and ‘High-Energy’ genres.”

THE SOUNDS
“An example of what I did would be taking the ‘Buzzord’ sounds, which I had half a dozen custom variations that I came up with. Several variations on the ‘Big Boomer Trash Strike’ from the ‘Impacts and Hits’ category was used a lot. From the ‘Pads + Strings’ group I went to the ‘Sweeping Pads’ and ‘Quirky’ tags a lot. The patch ‘Secondary Strike’ from the ‘SFX and Noise’ category and ‘Sound FX’ genre was very useful and like the others, I had a number of variations on it. Finally the ‘Hybrid Organic’ category gave me sounds that I would use both as hits and pads and sometimes a cross between them,” Elfman explained.

“I can’t say enough good things about Omnisphere,” said Elfman. “I love doing my own synth editing, but I’m no programming genius and I have very little patience for new plug-ins that require steep leaning curves to start really ‘working’ the patches I like. Omnisphere was really easy and intuitive. And for each file in DP, I’d make all the edits and variations on my sounds as was required, and having them attached to that file for later use made my life easier.”

“My compliments to Eric and all the folks at Spectrasonics.  Good work.”

Daniel Robert “Danny” Elfman (born May 29, 1953) is a Grammy Award-winning American musician, best known for composing music for television and movies, and leading the rock band Oingo Boingo as singer/songwriter from 1976 until its breakup in 1995. He is a frequent collaborator with long-time friend Tim Burton, and has scored all but two of his films. He was nominated for four Academy Awards and won a Grammy Award for Tim Burton’s Batman and an Emmy Award for his Desperate Housewives theme. Elfman also wrote the theme for the video game Fable. He is also famous for creating The Simpsons main title theme, and his role as Jack Skellington’s singing voice in The Nightmare Before Christmas.

Be sure to check out Danny’s fine score for the film!

Source: http://www.spectrasonics.net/

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iPhone Roundup: Field Recording, DJ Tools, Odd iInstruments, Cinco de Mayo

April 29, 2009

fire

Now we’re talking: FiRe turns your iPhone into a serious recorder. No, really, a serious recorder – with advanced features and actual mic support.

Your pocket is bulging with power.

Anyway, the mobile software revolution continues. There’s so much stuff out there that it can actually be hard to track. Here’s a round-up to help you navigate everything that’s going on this week.

And even if you can’t stand another word about the iPhone, consider this: the explosion of iPhone software, more than just a fad, illustrates what happens when you give developers tools to make multimedia capabilities easier, then provide a distribution outlet. I don’t love everything about the iTunes approach, but those are lessons that could easily be learned in desktop and mobile development alike. The iPhone platform, if nothing else, is surprisingly uncompromising in the sound and visual interaction departments, especially for a mobile platform. And even desktop platforms could benefit from this kind of distribution mechanism (see also: Steam for games).

Also, we do have some of the first signs that the iPhone won’t be alone for long – new functionality on Google’s Android could take that platform in new directions. See my next story, Android/Linux/open source fans.

Disclaimer: don’t worry. I’m not giving up on desktop apps. Relax. In fact, even now as I look across these applications, while there are lots of cool ideas, it’s still clear this is a nascent area. The experience is nowhere near as rich as you get on the desktop. But it’s nonetheless worth exploring some of the ideas before we return to our (more powerful) desktop applications for music.

Field Recording, Microphones for iPhone + iPod touch

fire2

The big news this week was FiRe, which promises to be the “first professional field recorder” for the iPhone and iPod touch. The developer behind it is one of which we’re already big fans: Audiofile Engineering. AE make Wave Editor, which has rapidly become the secret weapon of choice for Mac audio producers and sound designers, as well as the batch-processing Sample Manager and adoptive parents of the excellent Rax plug-in host. Anything these guys do would get our attention, and then they go and add specs you wouldn’t expect to see on the iPhone:

  • Accurate real-time waveform display
  • Live, touch-controlled waveform navigation
  • Audio markers
  • Broadcast WAVE metadata
  • Instant downloading in multiple formats – and easy sharing via FTP, Web server, or even a SoundCloud account
  • Tag recordings with location data
  • Overdub mode
  • VU meters for input and output
  • Configurable time units
  • Mic flexibility: use Blue Mikey, Alesis ProTrack or even the internal mic

http://www.audiofile-engineering.com/

iTunes link (which is tricky to find otherwise)

Let’s just cut straight to it: this is, bar none, the most full-featured app out there. It’s the first one that would make me seriously consider using this platform for recording.

This, of course, raises the question of which mic you might want to use.

If you’re on the iPod touch, you don’t have even a built-in mono mic. (Don’t knock it: I’ve put together entire pieces based on simple mono mic samples. Creative sampling artists will use anything.)

Even on the first-generation iPod touch, you can use some simple solutions that will let you do basic sound.

The SmartTalk mic poses for the Smule blog.

The Smule blog has a terrific round-up of recommendations for touch owners wanting to use their Ocarina app. Their technical needs are much lighter than what you might need for FiRe, but this is still worth a look if you have any interest in recording at all:

Microphones for iPod Touch Ocarina

The Griffin SmartTalk wins out for 2G owners. I have Griffin’s TuneBuds mobile, which has worked well enough for applications like RjDj. (Note that Smule have managed to get their app working with the first-gen hardware; FiRe requires the newer generation.)

At the fancier end:

mikey

Blue Microphones’ Mikey is a slim-line stereo condenser capsule that plus into the iPod accessory port. It’s hinged so you can play with placement at least a little, and there’s basic gain control (3 settings). It runs about US$80 street, which means it doesn’t have to compete with standalone recorders. Update: Audiofile Engineering say they’ve seen some issues with FiRe and Blue Mikey, and can’t officially support the combination. Readers have had some issues themselves. If you’ve already got a Mikey, this might be worth a try, but otherwise, you can await updated information as Blue and Audiofile Engineering attempt to address the problem.

Specific update: The problem sounds as though it is the combination of the production Mikey with second-generation iPod touch units running the current OS. This is expected to be fixed with the next OS release. Stay tuned for more.

protrack

Tha Alesis ProTrack is even more impressive-looking, but at US$249 list, it does start to get into the realm of “you could just go buy a dedicated recorder.” The ProTrack extends the iPhone by adding a shell with an X/Y stereo mic pair – one that looks quite a lot like the Zoom H4 mics – and even has onboard XLR jacks and phantom power. You also get LED monitoring, a limiter, additional power (four AAA’s), a mic stand mount – basically, it turns your iPhone into a real mobile recorder.

The Alesis has its own app, but the Audiofile Engineering option is looking more powerful. Naturally, that’s the advantage of software – because the iPhone is essentially a computer, you can add whatever software you like.

h4n

I still think there’s a good place for a dedicated recorder. I’ve started testing the Zoom H4n,seenat right. (Not an iPhone hiding in a shell.) I’m already blown away – it corrects most of the navigation and quality issues with its predecessor, and unlike an iPod or iPhone, has fantastic battery life and onboard XLR input jacks. (Okay, the ProTrack does have XLR’s, so this is getting a little more interesting.) In other words, I’m not sure I’m giving up on dedicated recorders in favor of one of these yet. It’s still handy to have, though – and who says you can’t use both, given how essential it can be to have a backup recording in many situations?

Paul Van Dyk’s DJ Tools

This one was a bit of a surprise: Paul Van Dyk has released a DJ app, but it’s not just a quick, attention-grabbing, “DJ on your iPhone” gimmick. It’s more like a utility belt for DJs. I’m surprised to see that as a result it’s actually gotten some criticism. To me, finding some genuinely useful stuff you might want to have on your mobile device is the whole point.

What’s in there?

  • BPM counter
  • Frequency analyzer
  • Noise level (the “NYPD Application”), with an oddly beautiful visualization
  • Seismic reader (for testing your turntable, not for telling if there’s an earthquake happening – that you’ll probably figure for yourself)

And then some silly stuff, too – glow stick, anyone?

http://www.paulvandyk.com/

Not yet available – coming late May 2009

Nine Inch Nails App

ninaccess

NIN, of course, had their app become available on 4/14. There’s been quite a lot written about it – so much, in fact, that I feel like the whole thing is a bit overhyped. The basic development here is that NIN is taking all their fan data and making it location specific. On the upside, this is a lot more than many high-profile bands have done with iPhone development. But then, these guys should be doing more – they have the budget to hire real developers. I do like the idea of fans being able to interact on their mobile device; that clearly makes a lot of sense. But few artists will inspire the kind of loyalty NIN does, which means the real question is, will someone be able to build a platform for everyone else? And if you are a more obscure artist, what should you be doing?

The app is free, so just a conduit for fans, really.

iTunes link

http://www.nin.com/

Gestural Beat Sharing, Celebrate Cinco De Mayo

ZoozBeat is the application I looked at in the fall: the idea is to make musical improvisation more accessible by allowing people to use fun gestures, taps, and the like to assemble beats. The software is not only for iPhone, but the powerful Nokia N95, too.

That story is worth checking out from the perspective of gestural music in general, not just iPhone or mobile apps:

Gestures, Mobile Music, and the “Low Floor” for Novices: ZooZBeat on iPhone, Nokia

The latest news: the guys have gotten funding, for one. More importantly to end users, ZOOZ Mobile is adding a sharing component, much like what we saw with Smule’s Leaf Trombone. New upgraded software adds a Latin component with Samba and Tejano rhythms and is ready-to-go for Cinco de Mayo. Sounds great to me – and the Latin market has been oddly ignored by a lot of musicians and developers. There are also new Pop, Hip-Hop, and Techno beats.

http://www.myzoozbeat.com/

Unusual Instruments

lakepiano

You’ve got plenty of faux-808 apps for the iPhone now. Our friend Henry Lowengard is taking a very different tack, with drone-friendly creations and detuned pianos. He describes this as well as I could, so here’s what he writes to tell us about.

Imagine a piano in a summer home on a small lake, far in the north of the Northeastern United States. Imagine the piano sitting there for 60 or 70 years, untuned and unmaintained.
The naturally prepared timbres of the Lake Piano are now here for you, each missing felt, each individual nuance of the key action and character-filled tones. Briskly recorded one summer in lo-fi, these samples also contain sounds of children, cats, screen doors, and the summer breeze.

The first version of Lake Piano is relatively minimal, Henry says, played as a double row of scrolling piano keys and the ambient sounds stolen from a videotape he recorded. Henry promises more playability and more ambience in an upcoming upgrade, but you’ll get that automatically when it’s done, so you can always go play now.

Palm Recorders

Edirol R-09HR Including Free 4GB SD Card

The R-09HR is a professional, high-definition recorder that travels light and performs like a heavyweight. With crystal-clear 24/96 fidelity, the R-09HR is the new flagship of EDIROL’s award-winning R-series recorders. Features 24-bit/96kHz linear PCM high-resolution, low-noise recording and more! View details…

Line 6 BackTrack + Mic

Great songs begin with great ideas. Capture all your revelations, epiphanies and inspirations the moment they strike. Inspiration Insurance Inspiration is spontaneous, and BackTrack™ + Mic is your guitar’s instant replay button. Easy to use, BackTrack + Mic captures everything you play without ever hitting record. View details…

Zoom H4 4-Track Handy Digital Audio Recorder

The palm-sized Zoom H4 Handy Digital Recorder is ideal for recording live musical performances, interviews, podcasts, meetings, classes and seminars. The Zoom H4 records linear PCM at up to 24-bit/96-kHz sampling rates or compressed MP3 format at up to 320kbps bit rates. View details…

Zoom H2 Handy Recorder

The H2 will record via the integral one point stereo design microphone, and achieves the Mid/Side (MS) Stereo technique by using a 3 microphone capsule configuration and digital signal processing. Affordable and very versatile!  View details…

Yamaha Pocketrak 2G

There are so many compelling reasons to record band rehearsals or music lessons for later review that a portable recorder is an essential item. Recording conferences and meetings has become a matter of course too. Naturally, the smaller and lighter that recorder is, while delivering top-class sound quality, the better. View details…


Source: http://createdigitalmusic.com


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Shure Microphone Maintenance Tips!

April 9, 2009

Shure have a series of podcasts aimed at clearing up any problems microphone users may be experiencing. In this Podcast they explore the top frequently asked questions from the Shure Applications Group. Chris Lyons is joined by Tim Vear as they discuss how to clean a microphone grill and how to hook a mic up to a computer. Liftpoint from Chicago, IL provides the soundtrack on this podcast.

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Upgrade any Microphone! Affordable XLR to USB Converter from Blue

March 11, 2009

Blue Icicle

The Icicle is Blue’s new stylish USB converter and mic preamp combo that allows you to connect any XLR microphone directly into your computer via USB! The Icicle features a studio quality microphone preamp, 48V phantom power, fully balanced low noise front end, analog gain control, and driverless operation.

THE BLUE ICICLE MICROPHONE IS HERE AT DOLPHIN!

Setup is a snap! The Blue Icicle works with both dynamic and condenser microphones, providing high quality and hassle-free connectivity with Mac or PC. Whether you’re using a microphone for digital recording, podcasting, voice messaging, or voice recognition applications, the Icicle is the quick and easy way to get connected.

Hook UP Diagram

Blue Icicle XLR to USB Mic Converter/Mic Preamp Specifications:

  • Sample/Word: 44.1K/16 bit
  • Power Consumption: 200mA (from USB bus)

System Requirements:

  • Macintosh: Mac OSX with USB 1.0 or 2.0 and 64 MB RAM (minimum)
  • Windows: XP Home Edition, Professional or Vista with USB 1.0 or 2.0 and 64 MB RAM (minimum)

Blue Icicle XLR to USB Mic Converter/Mic Preamp Features:

  • Works with Mac or PC computers
  • No Special Drivers Required
  • Studio Quality USB microphone preamp
  • Supplies 48V phantom power for . condenser microphones
  • Phantom power active light
  • Fully balanced low noise analog front end
  • Analog gain control
  • Blue Icicle XLR to USB Mic Converter/Mic Preamp Includes:

Includes 6-ft USB cable

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Line 6 Backtrack – Instant portable recorder/ instant reply for guitar

February 20, 2009

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In a an already very busy market Line 6 have took the plunge into portable recording devices. So lets take a look at what features this has to offer.

“BackTrack™ provides total inspiration control anywhere you play music or feel inspired, including at home, in the studio, at soundcheck and at rehearsal.”

At home, BackTrack offers the best ways to capture and organize all your musical ideas.

* Like a creative safety net, BackTrack makes sure all your ideas are captured
* “Instant replay” anything you just played by pressing “Play”
* Separate your best ideas from the rest by pressing “Mark”

In the studio, BackTrack gives you a head-start turning your inspirations into complete songs.

* Drag the better-than-CD-quality .WAV files right into your recording software
* The clean and pristine audio offers total plug-in processing flexibility
* Packed with your ideas, BackTrack is your portable idea vault

At soundcheck, BackTrack redefines the entire experience.

* Adjust your tone hands-free while BackTrack loops a song or riff
* Walk around the venue and check your tone while BackTrack does the playing for you
* Capture the energy of your live show and drag the high-quality audio to your DAW

At rehearsal, there’s no end to what BackTrack can do for you and your band.

* BackTrack + Mic records your whole band with stunning clarity
* Capture a direct signal perfect for dragging to your DAW by putting BackTrack in-line between your guitar and your amp
* Capture your guitar tone by putting BackTrack in-line after your amp or effects

I would personally would love to see this device fitted in the future with an onboard modelling chip like that of the pocket POD, Im almost suprised its notalready  featured here. But you still get a lot of amazing features for your buck.

specs01

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Stay Gripped to Your Music with the iBikeConsole!

January 7, 2009

• Tempted to bring along your iPod Nano when going out for a bike ride because your favorite tunes can add so much fun to your trip and boost your performance?

• But changing songs or adjusting volume on your Nano while tackling corners on a bumpy trail is such a hassle, especially with gloves on.

• What about wirelessly controlling your Nano without moving your hands away from the grips?

• What if you can securely attach your Nano to a visible position on your bike so that rain and shock won’t do any harm to it?

• What about a remote control unit with glove-friendly keys?

• And how much more fun it would be to be able to check your speed, trip distance, and more** on the high quality Nano screen?

If that’s what you’re looking for, the iBikeConsole is designed for you!

• It provides a weather proof housing for your Nano.

• Shock-absorbing lining helps to minimize impact from road conditions.

• CrossLoc Universal tool-free mounting bracket attaches the Nano securely either on the handlebar or the stem of any sizes.

• Compatible with 1st, 2nd, 3rd and 4th generation iPod Nano.

• You don’t have to move your hands away from the grips to control your Nano.

• Main functions can be remote-controlled with a pair of grip-mounted Wireless Key Pads (Patented) made of silicon.

• Simply wrap the Key Pads around the grips/handlebar and you are ready to play and pause, change tracks and adjust volume while on the go.

• Large buttons can be easily operated even with gloves on.

• Use iPod Nano’s own battery.

• Convert your Nano screen into a Cycle Computer display by push of a button on the Key Pads.

• Memory chip stores Cycle Computer data after disconnecting Nano.

• Sturdy housing made of extra strong plastics.

• Easy installation. No need to download or install any software.

• Optional

NanoSpeaker delivers high quality stereo music without shutting your ears from ambient noise (highly recommended).

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Destructive reign of digital music

January 6, 2009

pile-of-cds

Happy new year. Let’s start with a prediction:

2009 could be the year the compact disc finally dies. It could be the year lots of other things die as well — polar bears, the high street — but CDs will be the big one. Don’t believe me? Sales are estimated to have slumped 27% in the last quarter compared with 2007, a year in which they’d already nosedived, and anyone who sells them has gone or is going out of business. The writing is on the wall.

How are we to feel about this? If you ask me, absolutely delighted, because CDs have always been, well, a bit rubbish.
What with their instantly crackable spines, tiny little inlay cards and infuriating frequency responce! Bah! [ed]

Consider, if you will, what we have lost because of the CD. First, it pretty much killed off vinyl, but it also murdered tape. What is childhood without tape? No wonder your modern teenager spends all day stabbing and binge drinking: it’s because he’s not at home struggling to record pop songs off the chart show when Bruno Brookes isn’t speaking. And how are boys supposed to express their unrequited love for girls without the compilation tape (complete with handwritten inlay card)?

So good riddance to the CD. With any luck it will help all those ageing, hysterical Take That fans who rushed out to make ‘The Circus’ the fastest-selling CD of the millennium get over their addiction.
photo00
This brings us on to the future, and, even though it won’t include Take That, it is bleak. Things are going to get worse before they get better. The death of the CD has not been brought about by a nostalgic return to tapes and 78s. No, the thing that killed the CD is the iPod. And the iPod is worse than the CD. Yes, it’s very nicely designed and pocket-sized. But clicking down a list of virtual albums is not the same as rummaging through an actual shelf of albums.

And there’s iPod-associated anxiety, a dangerous condition caused by the sheer inability to choose which track you want to listen to from the eight billion available. And why is it that the moment I set fire to my irritatingly scratchy CD collection, I know that the iPod will break? Or the computer will have a fatal error? And I’ll lose my virtual music collection because, well, it was virtual. And I didn’t back it up

What do you prefare to look at ?  This??

fig06a1

Or this??

megadeth

Source: Matt Rudd

Kam DDX5000 – Pair

Features Massive 4.8kg/cm motor torque Low resonance metal chassis Fully adjustable S-Shaped tone arm Dual start/stop buttons Quartz Lock Adjustable Start Time (0.2 to 6 seconds) Adjustable Brake Time (0.2 to 6 seconds) Platter Reverse Motor Off switch Removable Strobe/Target light

Numark PT-01USB Portable Vinyl-Archiving Turntable

PT-01USB permits users to listen to and transfer their vinyl records to digital MP3 files anywhere and anytime thanks to its convenient, rugged design and ability to run on either wall or battery power. An RCA line output is provided for simple connection to any DJ, PA, or stereo system. An auxiliary input allows conversion of audio from any…

Numark TTUSB

The Easiest Way To Digitize Your Vinyl. The TTUSB is a unique, plug and play, USB compatible turntable that makes digitizing your vinyl record collection to your PC or Mac a snap. Packaged with all the necessary cables to connect with a computer or stereo playback system, along with software to remove clicks, pops, and other…

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Podcasting: What is it? How do I do that?

November 21, 2008

podcast_ctap_small

Podcasting is creating your own content (mp3 or video for example ) with intent for users to download using one of several programs that have been created to retrieve your audio file automatically, like iTunes or Google reader etc.

Podcasting is simply distributing audio content using RSS. The process is suprisingly simple, and by making audio content available using RSS, podcasters give listeners more control over what they listen to and when. Also, many podcasts are available for syndication, which increases a broadcasters exposure.

For more infomation on RRS check our article here

Here is a breakdown of what you will need and need to know to be able to Podcast:

Skills you may need….

1. How to record your audio and save it to an .mp3 file. (Video is of course also allowed)

2. How to upload the .mp3 file to a website or hosting service

3. How to upload the RSS “feed”  burner service.

After creating your material using an audio editing program of your choice you’ll need somwhere to store it online. if you have a sever upload it here, if your lost at the word ‘server’ …get a blog like ‘WordPress’ or ‘Blogger’.

The majority of things you will have to master in order to Podcast are online and if your new to Blogging, Podcasting is an ideal  reason to start. Your ‘Blog’ will allow to to upload you MP3’s and store them within your Blog enabling users to visit your site and download or even better ‘Subscribe’!

There are many different ways to create/ store your Podcasts, you just need to find the server and Feedburner that works for you, the videos here all do things a little different so dont worry if you do things different also!

An RSS feed is the final step in transforming your collection of audio/video files into a bona fide podcast! With FeedBurner’s SmartCast service, you can use any blogging tool that creates a feed to publish your podcast. Here’s how it works: If your blog post contains a link (<a href=””></a>) to an audio/video file, we’ll convert it to an RSS enclosure — a special link found only in your feed — that programs like iPodder, iTunes and NetNewsWire recognize. Google Reader and several other online readers also recognize enclosures and offer a playback link or audio control when they encounter them.

Equipment you may need…

1. Audio Editing Software

2. A Microphone

3. A Sound Card

Steinberg Sequel 2

Sequel turns you into a producer, and gives you your own fully-loaded music studio. You need HipHop beats for your latest track? Or want to surprise your friends at your next party with your own electro live-set? Sequel gives you everything you need to produce pro-quality tracks at home, on a plane, in the rehearsal room or even live…

Sony Media ACID Music Studio 7

If you’re serious about making your own music, ACID Music Studio software is the perfect tool for original song creation, multitrack audio and MIDI recording, and studio-quality mixing, and effects processing. Share your songs any way you want — burn your own CDs, upload to the web, prepare audio for podcasts, or export to your MP3 player.

Blue Snowflake

Blue offers up the Snowflake, the world’s first truly professional and portable USB mic. With plug-and-play simplicity, podcasts, web conferences, or adding voiceovers to video projects takes on a new level of ease and quality. The Snowflake is compatible with both Macs and PCs, and it’s low-profile design makes it a perfect fit with either desktop or laptop systems.…

Behringer Podcastudio USB

Introducing the Radiolutionary Podcastudio USB Bundle from Behringer. Looking for a new way to express yourself? Ever wanted to be a famous producer? Then podcasting is the answer and the Behringer Podcastudio bundle has all you need to make high-quality podcasts and home recordings. Go on air straight out of the box with this fantastic Podcastudio recording…

Samson C03U Recording Pak – Recording / Podcasting Pak

Samson changed the way the world records audio with the C01U and C03U USB Studio Condenser microphones — the first studio quality condenser microphones equipped with a USB interface. The C03U Recording / Podcasting Pak includes everything needed to record digital audio on a PC or Mac with an eye on maximum portability.

Edirol UA-25EX

Mobile Connectivity with Pro-Studio Extras Rugged, compact, and feature-filled, the new UA-25EX is a portable-interface powerhouse. Ideal for computer-based audio engineers who appreciate mobility, this 24bit/96kHz USB audio interface is equipped with pro-grade microphone preamps, a newly-developed analog compressor/limiter, and ground-lift functionality for studio and stage.

Tascam US-144

The follow-up to the mega popular US-122, the new US-144 delivers everything you’d want in a portable audio/MIDI interface and more.

Record two tracks at a time with zero latency; whether you have a PC or a Mac, your song ideas go down in real time, real easy. Its size means you can take it anywhere you go…

Edirol R-09HR Including Free 4GB SD Card

The R-09HR is a professional, high-definition recorder that travels light and performs like a heavyweight. With crystal-clear 24/96 fidelity, the R-09HR is the new flagship of EDIROL’s award-winning R-series recorders. Features 24-bit/96kHz linear PCM high-resolution, low-noise recording Newly developed Isolated Adaptive Recording Circuit (I.A.R.C.) High-grade, high-sensitivity stereo condenser microphone built in …

List of sites that accept podcast submissions.

iTunes – submit your iTune podcasts

Podcasting Station – submit podcasts to the podcasting directory

Podcasting News – submit podcasts to the podcasting directory

DigitalPodcast – enter the category scroll to the bottom and click add url

Podcast Alley – submit podcast title, website, xml feed, and description.

Podcast Bunker– recommend a podcast, only high quality podcasts will be added.

Podcast411– add a podcast

AllPodcasts – index a podcast (an RSS 2.0 feed with an audio enclosure), enter the URL for the RSS feed into the field below and click “Index”.

iPodderx – submit podcasts to ipodderx directory

audio.weblogs – ping audio web logs to update them

Podcast.net – List your podcast on podcast.net and watch your audience grow!

PodcastHost – add a podcast to PodcastHost

Podsites.com – post a “podsite”

Pocketcasting – submit a podcast

RSS Network – submit to podcast category

Podcast Pickle – submit to podcast category

Plazoo – submit to podcasts or vlogs

Singing Fish – submit music/video directory

Blog Universe – submit podcasts to directory

Digital Podcasts – add podcasts to the digital podcast directory

PodFeeder – podcast submission

PodFeed – podcast submission

Open Media Network – submit audio and videocasts

Podcast Charts – chart podcasts (requires membership)

iPassages – Christian podcast submissions

My Podcast Center – small podcast directory

PodBlaze – small podcast directory

Podcast Shownotes – post podcasts on blog

Loomia – post podcasts and rss feeds

GetAPodcast – post podcasts and rss feeds

Syndic8 Podcast – post podcasts and rss feeds

Podcast Shuffle – post podcasts

idiotvox – submit a podcast feed

Blinkx – submit a podcast feed

PodNova – submit a podcast

PodCasts Yahoo – submit a podcast (top right corner)

Blast Podcasts – submit podcasts

Pod Spider – submit podcasts

Pod Lounge – The Pod Lounge relies on user submissions to help build the database and we appreciate any additions you can provide

Amigo Fish – submit a feed/podcast

AudioFeeds – submit music podcasts only

Every Podcast – submit podcasts

Fluctu8 – submit podcasts

Get a Podcast – submit podcasts

HardPodCafe – submit podcasts

Podcast Shuffle – submit podcasts

Podcaster World – submit podcasts

Podcast Pup – submit podcasts

PodTower – submit podcasts

Vital Podcasts – submit podcasts

Religious Podcasts – submit religious podcasts (only accept religious casts)

Educational Podcasts – submit educational podcasts

Podcast Videos – submit videocasts

Feedshark – automate submissions to 10 podcast sites

YakkYakk – podcast submissions

Pluggd – podcast submissions

Canadian Podcasts – submit podcasts

Fetching Podcasts – submit podcasts

GODcasts1000 – submit Christian podcasts

Church Podcasts – submit Christian podcasts

Realty Feeds – submit real estate podcasts or feeds

MLPodcasts – submit realty podcasts

Podcast Directory – submit all podcasts

Medical Feeds – submit medical podcasts

Sports Podcasts – submit medical podcasts

Podcast Reviews – submit podcasts

Tech Podcasts – submit technology podcasts

FireAnt – submit podcasts

Podcast Pup – add a podcasts

Vital Podcasts – add podcasts

PodcastLikeThat – add podcast feeds

Australian Podcasts – submit podcast feeds

GetAPodcast – submit podcasts

Pod-Planet – submit podcasts

Sports Podcasts – Submit sports related RSS feeds and podcasts.

Political Podcasts – Submit political feeds and podcasts.

Government Podcasts – Submit podcasts and feeds ONLY from government agencies. Feeds from both Local and federal governments are accepted.

iBiz Radio – Submit podcasts (only submit business podcasts)

Podcast Blaster – Submit podcasts

YouLoud – add podcasts

Vital Podcasts – add podcasts

Educational Podcasts – Submit educational podcasts and feeds.

Blubrry Podcasts – login to submit podcasts.

Podcast Empire – submit podcasts.

AOL Podcast Beta – submit podcasts.

Podcast Like That – submit podcasts.

AudioFeeds.org – submit podcasts.

Digg Podcasts – DIGG podcast directory.

EPN – Educational Podcast Network

Family Friendly Podcasts – submit child safe podcasts

Hwy777 – submit christian podcasts

Mirpod – submit podcasts.

Podcast Directory AU – submit Australian podcasts.

Podcaster World – submit podcasts.

Pod Farm – submit podcasts.

PodMopolis – submit podcasts.

RECAP – submit educational podcasts.

Speecha – submit audio podcasts.

Women in Podcasting – submit podcasts.

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NUMARK ANNOUNCES iDEC: RACK PLAYBACK & RECORDING HUB FOR iPod

July 4, 2008

Here’s another cool new release from Numark. They’ve announced the iDEC, a professional rack-mount solution offering playback and recording for iPod.

iDEC allows DJs and musicians to integrate iPod audio and video into any 19-inch equipment rack. With high-performance digital audio and video playback, quality digital audio recording, and a convenient interface, iDEC is an ideal addition to any audio system.

iDEC’s Universal Dock for iPod permits playback of audio and video from any docking iPod through integrated outputs. It can also record incoming audio in real time at CD-quality 44.1 kHz sampling rate, directly to the docked iPod.

DJs, musicians and installation professionals servicing bars, restaurants, houses of worship and large stadiums will appreciate iDEC as the ideal pro-grade solution for audio recording and audio-video playback for iPod.

Key features of iDEC include:

  • Large, easy-to-use transport controls and selection wheel 
  • Universal dock for iPod syncs directly with iTunes 
  • Recording inputs with clip indication make recording to iPod a breeze 
  • Record directly to iPod (5th gen & Classic) and iPod nano (2nd or 3rd gen) 
  • RCA line inputs (stereo pair) 
  • RCA line outputs (stereo pair) 
  • S-Video output 
  • Composite video output 
  • 2RU 19-inch rack-mountable design 
  • Solid steel industrial construction

iDEC, the professional audio/video playback and recording integration solution for iPod, will be available from pro audio retailers Q3-2008.